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Showing posts with label education. Show all posts
Showing posts with label education. Show all posts

The Amazing Toilet Bowl Brush

The Amazing Toilet Bowl Brush
The Amazing Toilet Bowl Brush by Joe Chiappetta is rare digital art available on MakersPlace.

Here is some art carefully engineered to cleanse you--or at least a key area in your home! The hidden depths of housekeeping are uncovered slowly as we grow up. Perhaps it’s time to speed things up a bit?

While the stunning conversation depicted in this Silly Daddy Comic did actually happen, the people who said this were not the actual people depicted in this slice-of-life cartoon. In fact, it was other close family members who had the pleasure of such an enlightening educational moment.

I chose to insert my son into this comic because he too is going away to college quite soon. Perhaps he will learn something from this comic as well.

If you appreciate this comic strip, you will find hundreds more cartoons like it in my giant-sized comic book, Silly Daddy Forever, on sale in paperback as well as eBook.

Joe Chiappetta

A Dozen Deliberations for Rare Digital Artists and Collectors

Rare Paper by Joe Chiappetta
Rare Paper by Joe Chiappetta is available as rare digital art on MakersPlace.
"Before I met you and only knew you through your cartoons, I thought you were just some goofy guy." That's what a talented business colleague said to me recently--in all seriousness.

While my comics can delve into the silly side of things, it might surprise a few folks to know that I am a deep thinker. Lately I have deliberated on what would be useful for artists and collectors to know about innovations in the art and blockchain space. Twelve considerations come to mind, and they all trace their roots back to a little digital creation called Bitcoin.

The fact that Bitcoin has been coded to exist in only 21 million units is highly relevant to artists and art collectors. Perhaps this is even more relevant than many in the art industry currently perceive. With Bitcoin came the advent of limited-supply cryptocurrency issuance; digital art tied to such currency is now able to be released in a limited supply as well.

Therefore, for the first time, a scarcity market can be imposed (or coded) into digital art, making it collectible. Ownership and rarity are verified on the blockchain. This ecosystem produces what we call "rare digital art." It is a movement that has grown by leaps and bounds since its inception a few years ago.

Nevertheless, there are facts about rare digital art that the buyer and seller must understand under the current technical structures in which it exists. What a person actually owns when they buy rare digital art is actually not the art. What they own--as in what can be traded--is a unique digital token on a blockchain. Such a token is often called a non-fungible token (NFT). Non-fungible means "unique." So that particular unique token is linked to a specific artwork. Therefore it is most accurate to say that the cryptographic token is what you own; the art represents the token's image.

Despite the above technical parameters, rare digital art still has widespread implications, including industry-disrupting innovations. It lands under the subcategory of Art as well as the subcategory of Cryptocurrency. As with anything new, it can be helpful to provide guidelines for rare digital artists and collectors joining in on this exciting game-changer in the art and finance ecosystems.

The following 12 recommendations and considerations are designed to shepherd artists and collectors through this revolutionary field that is rare digital art. I will list them as a quick overview and then go into more detail below.
  1. How To Choose A Good Blockchain For Rare Digital Art
  2. Operate On At Least 2 Blockchains
  3. Which Rare Digital Art Market Should You Operate On?
  4. Pricing Rare Digital Art With Variety
  5. How Many Rare Digital Art Editions Should Be Released?
  6. Artists Become Collectors
  7. Collectors Become Artists
  8. Buy Art That Includes The Artist's Signature
  9. Tell The Backstory
  10. Promote Your Art
  11. Beef Up Online Security
  12. Remember To Have Fun
The Mind Pour by Joe Chiappetta
The Mind Pour by Joe Chiappetta is available as rare digital art on MakersPlace.

12 Tips for Artists & Collectors of Rare Digital Art


1. How To Choose A Good Blockchain For Rare Digital Art

More blockchains and cryptocurrencies are created each quarter. Therefore spend a few months doing your own research first. As blockchains for rare digital art go, Counterparty (which runs on top of Bitcoin) and then Ethereum have the longest track record of operating in this space. EOS, with pixEOS running on top of it, is well-positioned to become a serious contender, with many others vying for a top spot.

So which blockchain is best for rare digital art? I see Counterparty, Ethereum, and EOS/pixEOS as each having unique traits that others do not have. If only the 3 of them could merge into one super-chain. But that's not current reality. Here is a summary of where these blockchains are at right now:
  • Counterparty is old-school respected as a rare digital art pioneer, running on top of Bitcoin, yet with a smaller user base, and therefore lower in funding/development resources.
  • Ethereum has the most rare digital art markets, widely adopted, well funded, (usually) decent public image, yet slow to upgrade to faster transaction times. 
  • EOS has fast transaction times, no user transaction fees, a large user base, yet still in the process of perfecting how to manage/govern their global blockchain fairly.

With these assessments in mind, here are some further questions to consider when asking what to look for in a blockchain for rare digital art?
  1. What is the measurable value of this blockchain? Market capitalization data can help to determine this. In other words, how many units of this cryptocurrency exist, multiplied by the current price of one unit?
  2. How many daily users does the blockchain have?
  3. Is this blockchain easy to use?
  4. How fast are the transactions?
  5. What are the fees to issue art on that blockchain?
  6. What other use cases does this cryptocurrency have?
  7. Is it a global, well-distributed blockchain, or is it just one or two computers running the whole network?
  8. Who is on the team leading development and upkeep of this blockchain?
  9. Can you really see this blockchain thriving in 5 years... 10 years... and beyond?
  10. How long has the blockchain been used already to trade rare digital art?

2. Operate On At Least 2 Blockchains

Cryptocurrency is still new technology, somewhat unregulated, volatile in pricing structure, and the competition to be a stable and desirable blockchain is fierce. Therefore, as time permits, create and collect art on at least 2 different blockchains. Then all your eggs will not be in 1 basket.

3. Which Rare Digital Art Market Should You Operate On?

Unless you create your own blockchain or marketplace, you will need to release/collect art on an existing rare digital art marketplace. There are many sites out there to do this, but not all will survive the test of time. Once you narrow down which blockchain(s) you prefer, then select a marketplace site (or two) with these considerations in mind.
  1. How well does this marketplace promote itself and its artists?
  2. What is the onboarding process for new artists?
  3. How easy is it to list new high resolution art for sale?
  4. Can collectors easily resell rare digital art they own?
  5. Are the digital art images hosted in secure locations?
  6. What art data actually ends up on the blockchain?
  7. How does the site fund its operations?
  8. What percentage of each sale do I get?
  9. Do artists receive resale royalties on all secondary sales?
  10. Is it likely that this particular market/online gallery will still be here in a few years?
  11. Is a collector's collection available for viewing under one public Internet address?
  12. Do you like viewing your art on this platform?
  13. Are other artists on this marketplace allowed to put the whole site at risk by uploading illegal content?
  14. How big is the community for this marketplace?
  15. Is their community full of people you want to interact with?
  16. What is the site's strategy to onboard people new to cryptocurrency?
  17. Does the site contain affordable art, or are too many items overpriced?
  18. Is the team running the site wise and professional?
  19. Do artists and collectors get access to their platform metrics (page views, sales data, etc.)?
Keeping the previous section in mind, I would find a marketplace home on at least 2 different blockchains. No single person could (or should) try all the various markets in existence for rare digital art, but it should be noted that MakersPlace (on Ethereum) scores favorably on more of the above criteria than other sites I am familiar with. This is actually one of the main reasons that I currently collect the most art from MakersPlace over others. On the artist sales side, I've had the most success on MakersPlace, SuperRare, and Atomic Hub (on WAX). Book of Orbs has also produced pleasant results if you want to use Counterparty.

Cryptosketches and Cryptographics are two very unique rare digital art markets whose innovation-levels are still forces to be reckoned with. However they appear to be proof-of-concept markets that may not receive further upgrades. Naturally, there are other sites I have heard good things about. However, I have no experience using them so I will stick only to what I know. 

4. Pricing Rare Digital Art With Variety

Diversification is the key here. Your body of work should have a variety of pricing options, regardless of how well known you are. This includes some art with a fixed price, and some that is up for auction. This will help to capture collectors of all income levels, all spending preferences, and keep you from been seen as an inaccessible star.

Auctions: 
Some of your work should not have a fixed price on it; rather it should be up for auction. Let people bid on it and price discovery will be market-driven. If the bids are not as high as you'd like, you are not under any obligation to accept such bids. No bids may also be a sign that you need to market your work more effectively.

The auction option is appealing on a number of levels. It's for people who have a bargain hunting mentality. It's for patient collectors hoping you'll accept their price if no one else is bidding on your work. Where the auction option becomes an extra boost to the artist is when multiple collectors start bidding on your work, driving the price higher than imagined.

Fixed Pricing: 
Give a high price only to work that meets all 4 of these points:
  1. It is one of your very best pieces... like in your top 10 of all time.
  2. It took you more than 3 hours to create.
  3. It is an edition of only 1.
  4. You can reasonably imagine another person actually paying a high price for this digital item even though what the buyer is actually getting is ownership of unique cryptographic token.
Set low prices on pieces that you want a lot of people to collect. Imagine you just released a pack of stickers or collectible cards and you want many people to enjoy them.

5. How Many Rare Digital Art Editions Should Be Released?

This depends largely upon a few factors:
  1. How many people at a time do you want to be owners of this work? If you want a lot of people to own it, then price it low. If you want only 1 owner at a time, then the price should be higher since it is a more scarce edition of only 1.
  2. Do you want to keep 1 edition for yourself too?
  3. Do you want to give a few away as promotional freebies?
  4. Is selling high volume a priority? Then price lower and release more per edition.
  5. For those considering releasing in editions of more than 10, first ask yourself, "Are there really more than 10 people who will spend money on this non-material digital item I created?" 

6. Artists Become Collectors

You will think clearer and with a bigger market vision in mind when you step into the shoes of your counterpart. Being a collector and an artist for decades, I frequently ask myself a few questions:
  1. Would another person actually pay money for this thing I am creating? 
  2. How much would I pay to have this in my collection?
  3. How original is this creation?
  4. If I want to resell this to other collectors, would buyers be attracted to it?
  5. Would I want this in my collection even if it does not increase in monetary value?
These collector considerations help me to push the boundaries of quality higher, and compel me not to release something that isn't ready for the market yet. Therefore I do advise all artists to collect at least a few pieces as it will certainly expand market awareness.

7. Collectors Become Artists

Similar to the previous point, collectors will benefit from issuing their own original art on a platform they are thinking of buying art on because they will discover firsthand how well the ecosystem works with less risk to themselves. Even for collectors who do not consider themselves artists at all, they could still issue one good photograph that they took themselves. It might even lead to some surprise sales. 

As an artist/collector, out of gratitude and curiosity, I typically look at the account of who bought my work. If I see anything in their collection that I want, I would happily make an offer on it. Moreover, a collector who issues their own art too has more trading leverage. An artist/collector can always trade their own art for another artist's work and thus minimize collecting expenses.

8. Buy Art That Includes The Artist's Signature

In a digital age, copying and pasting is easy. So art that is issued with the artist's signature incorporated into the art is somewhat less likely to be falsely attributed to another creator. Yes, the blockchain can record all this, but not everyone will go and explore the blockchain. Therefore keep an eye out for signed artwork.

In fact, as a collector, the artist's signature is one of the things I often look for when deciding to make the purchase or not. Mind you, I am not saying signatures must be mandatory. Indeed, on occasion I have bought art without signatures because it was clear that the art was from the ascribed artist since I follow them on social media. Yet a signature is useful when I have no context or relationship with the artist and I just want to make sure I am buying work properly attributed in the actual image.

On the creator side of things, having my signature on my art is important also because people will copy art and share it in various places--often without my permission. Sometimes they credit me in captions, but sometimes they don't. So having my signature on the art (written large enough to be readable even on mobile devices) helps to establish who did what.

9. Tell The Backstory

Pay careful attention to the art description. Part of the appeal of art is not just the actual art, but also the story behind the art. Artists should succinctly tell the tale of how the art came about, and/or elaborate on what the themes are. This can be done in a few sentences or a few paragraphs if needed.

If the art looks good, and the price looks good, my final decision on whether or not I buy art comes down to what the artist says. In fact, if an artist says nothing about the art, I don't buy it. For me it is a red flag for 3 possible reasons:
  1. The art may not be theirs.
  2. The art is shallow.
  3. They are dropping art frantically all over the internet, desperate for a quick sale, and have no care to cultivate a professional relationships with their collectors or the community market that they participate in.
Moreover, collectors can, and should add to this story. They can publicize why they decided to collect the art. Such details add to the experiential nature of the art world, and increase the legend behind a particular piece of art.

10. Promote Your Art

Art typically does not sell itself. The art market is highly saturated with talented creators. So diligent marketing is needed if you want to make consistent sales. Regardless of whether you are an artist or collector, nothing increases awareness and potential value quite like artists, and especially collectors talking about their art, sharing it, telling the backstory of it, getting the art in exhibits, and being active in a few relevant communities.

11. Beef Up Online Security

Since cryptocurrency can be exchanged for local currency through certain providers, in addition to attracting sincere professionals, it also attracts thieves and scammers. Therefore creators and collectors in this space need to use best practices when it comes to online crypto-related security. This will take time researching the latest tips, and it will also take vigilance to put them into practice.

12. Remember To Have Fun

We are talking about art and the collectible cryptocurrencies tied to it. This is not brain surgery or bomb diffusion. So lighten up and have some fun. It's about participating in the art experience along with this crazy crypto-ecosystem that is international, fast (usually), entertaining, paradigm-shifting, full of potential economic opportunities, and pleasing to the eye of the beholder.

Anniversary Dinner Date with My Wife by Joe Chiappetta
Anniversary Dinner Date with My Wife by Joe Chiappetta is available as rare digital art on MakersPlace

I hope these guidelines help you navigate the wonders of art linked to the blockchain. When diving into the deep and dynamic waters of rare digital art, you will do well to keep these elements in mind. As we shape this new frontier together, I also pray that you will enjoy the ride at least as much as I have!

Joe Chiappetta

Rare Digital Art Ownership Visualization

Rare Digital Art Ownership Visualization by Joe Chiappetta is available on MakersPlace
Rare Digital Art Ownership Visualization by Joe Chiappetta is available on MakersPlace

In understanding any new concept, it often helps to provide visuals. This is definitely the case with rare digital art. As a new ecosystem to release, catalog, sell and collect digital art, the growing field of rare digital art is fascinating for a number of reasons. For the first time ever, digital art can be coded to be entirely rare, sales could happen instantly and internationally through new monetary systems, royalties for secondary art sales can be built right into the market, the art can be sold for a fixed price or auctioned, artists can issue super-rare editions of only 1 or limited-editions such as 1 of 10. Mind you, I am only mentioning just a few of rare digital art's exciting features.

To illustrate what actually goes on when a person owns rare digital art, I have drawn up an imaginary universe where digital concepts are as tangible as the toes on your feet. Art collectors can buy this particular piece of rare digital art on the MakersPlace marketplace. It is a comical drawing that depicts a world lined with chains of data held in sequential blocks. That's where we get the term "blockchain." When someone buys rare digital art, they are actually buying a unit of cryptocurrency. Their account on the blockchain gives them a private key whereby only they can sell that crypto if they find a buyer. All this is packaged in an orderly and cryptographic manner on the blockchain. These blocks of ownership data are uniquely linked together so that the order and the data cannot be changed. Therefore the data on this blockchain has a decent semblance of permanence.

Is Art Really On the Blockchain?

While important data about art is permanently on the blockchain, what about the actual art's permanence? The art on the blockchain is a different, yet completely related story. In most cases, the actual art image is (gulp) not hosted on the blockchain. Rather the art is usually hosted the way most digital images are hosted: on a file hosting device called a server or multiple servers in physical locations, with the image being delivered (or "served") when someone on the Internet goes to a particular website (or image-enabled blockchain wallet). Therefore the art is as permanent as the Internet, the blockchain that holds the art data, and the servers that host the actual image.

With rare digital art, while the image does not truly reside on the blockchain, it's file name and web address are coded to be linked to a particular blockchain. So we can enjoy a little irony in the fact that art on the blockchain--in most cases--is not actually on the blockchain. Yet the art data, ownership and link to the art are on the blockchain.

Is Rare Digital Art Actually Rare?

While we are on the subject of irony, there is one more big one to cover. In the case of rare digital art, the art is... uh... not actually rare. In most cases, the art image is announced and uploaded to at least a few social media sites, plus the artist's blog, and then people share it over and over again on social media. Servers deliver the image to everyone viewing the art on the marketplace. So copies of the art are all over the place. Nothing rare about that. Yet as discussed in the previous section, all that doesn't matter--not one bit. What is rare is the crypto token that the art collector buys. That token cannot be copied, thanks to cryptography. This is where rarity comes in. When a collector buys rare digital art, it is a statement of value. It says "this art is so valuable, that I want to be on record as its owner so I can show it off in my collection, or sell it as I see fit, and I will do it all through the only economic vehicle that represents that art: its cryptocurrency token."

It is on top of these slightly ironic cybernetic rails of truth that art and tech pioneers started rolling out this new generation of artwork. We call it new, yet this was going on as early as 2014 in small groundbreaking circles. Little did people know that history was being made, and a whole industry would rise up from these humble and virtual beginnings. Yet here we are... making history... making art (kind of) on the blockchain. It seems only fitting then, since there have been movements of impressionism, cubism, futurism, and now... there is blockchainism.

So in making such a history, writers have to write about it. Artists have to make art about it. In the case of this rare digital art, the story needs to be told--or better yet shown--regarding what a person actually owns when they purchase rare digital art. What is owned? In short, it boils down to a few blunt facts:

The Short, Blunt Answer: What Do I Own When I Buy Rare Digital Art?


  • It's nothing you can touch.
  • Your purchase helps fuel a crypto crazy creative market ecosystem.
  • You bought into a crazy risk with the potential for crazy rewards that can just as easily drop to zero in value or go sky high.
  • You own cryptocurrency with a pretty face.
  • A unique crypto token is what you own; the art is what you see.
If any of this appeals to you, then we are probably destined to be friends. So all aboard the rare digital art train!

Joe Chiappetta


Rare Digital Art Avengers

Rare Digital Art Avengers - by Joe Chiappetta

New times call for new heroes. Thankfully, the Rare Digital Art Avengers have arrived. Protecting the art-loving cryptocurrency universe from confusing technical jargon, these valiant servants of blockchain righteousness never back down from a noble fight! Whether it be dismantling dangerous acronyms that repulse newcomers or educating the masses on why art on the blockchain is so cool, the Rare Digital Art Avengers work with inspiring vigilance. Join Captain Non-Fungible, Doctor Memetics, Baron Von BitCrystal, and more heroes as they leave behind a collectible trail of souvenirs for their endearing supporters to enjoy and read about in a business-friendly manner. 

This artwork will be available soon on the Grand pixEOS Art Gallery. As a premier destination for collecting rare digital art on the EOS blockchain, a high degree of my comics and art will be appearing there. They have a fantastic community and I am so grateful to be a part of it.

If you like searching for hidden treasures and nuggets of coolness in your arts and comics, then this piece of rare digital art is right up your blockchain boulevard. It's one of those digital paintings that has paintings within the painting and comics within the comic. As you might imagine, it took longer than usual to finish the artwork but I believe it was worth it. All my years making Silly Daddy Comics and watching old Columbo detective shows have prepared me quite well for this task.

In fact, I would even bet that--for at least one other person--it holds extra-valuable keys to opportunity. That's because this art is part of the EOS Treasure Hunt, which is a contest to find free cryptocurrency. An EOS account, thesecretkey, has been funded with EOS and other tokens. The private key (or password) to this account has been spread in clues across dozens of various platforms so that only the most diligent detective will win the treasure. Happy hunting.

Joe Chiappetta
http://SillyDaddy.net

How to Become a Crypto Artist

How to Become a Crypto Artist is rare digital art by Joe Chiappetta issued on the Ethereum blockchain
It started as a simple black and white ink drawing on this ancient flat stuff called paper. Then what began as a quick sketch from life of my son (drawn in typical Silly Daddy Comic style) was revised and meticulously ran through a number of space-age computers. So now this creation has become a full color educational piece of rare digital art, showing the world the secrets of blockchain success. Viewers of this fine artwork can now discover exactly how anyone--with hardly any skills whatsoever--can become one of them fancy new crypto artists!

Indeed, you too can be a blockchain rock star! You know you want that.

Along with many other of my designs, you can find this very limited edition crypto collectible on the SuperRare market for rare digital art! I have sold a very good amount of crypto art on SuperRare and since these are one of kind editions of art, I really try to make sure I put top-notch designs here.

Zooming in on at least three different areas of this canvas, you should be hit with a few pleasant surprises. There are mini bonus scenes in the background that people familiar with the rare digital art and crypto space will get an extra kick out of viewing. Please let me know which one is your favorite mini bonus background scene, as I enjoy making them. Perhaps I will make more in future pieces of art.

Also in all seriousness, I have written a number of introductory crypto art articles. These firsthand art business reports actually do help a person learn more about the industry. They serve as guides in how to get started in this exciting new corner of the art world, full of short, as well as long crypto art market analysis.

I also conduct public speaking presentations on crypto art, which I enjoy doing. In fact I am delivering a talk on opportunities for artists on the blockchain very soon at the University of Southern California for some graduate students. Perhaps we should call it Crypto Art College? While that is not (yet) the actual title of the event, I am looking forward to showing attendees how the cryptocurrencies of Bitcoin, Ethereum, Counterparty, BitCrystals, EOS, pixEOS and Steem can be used to leverage more exposure, community, as well as sales in the art market. This event is part of a business-of-art series for USC students and it is also open to the public!

What: Opportunities for Artists on the Blockchain
When: Monday March 25th, 2019 from 1pm to 2:30pm (Pacific Time)
Where: Roski School of Art and Design Graduate Studios
3001 S Flower St, Los Angeles, CA 90007
Cost: Free

Joe Chiappetta

Rise of Crypto-Art: 3 Opportunities for Artists on the Blockchain

Blockchain Bonnet art by Joe Chiappetta
Blockchain Bonnet by Joe Chiappetta is available as rare digital art on the SuperRare marketplace.

An Introductory Crypto-Art Article by Joe Chiappetta of Silly Daddy Comics

An overview of opportunities for artists on the blockchain are covered here, including rare digital art, crypto community graffiti, and online crypto social meritocracy.

It’s a pretty interesting time to be alive. Especially as an artist, I have seen rapid opportunities opening up for creative people. This has been largely due to advances in cryptocurrency, blockchain technology, and high speed mobile internet. With new technology often comes new terminology, methodology, and of course, opportunity. Such is the case with a wide classification of artwork known as crypto-art, which can be very loosely defined as artwork having something to do with cryptocurrency. 

All Quiet on the Bitcoin Front by Joe Chiappetta is mixed media and collage on paper, scanned and made available as rare digital art on MakersPlace
All Quiet on the Bitcoin Front by Joe Chiappetta is mixed media on paper, available as rare digital art on MakersPlace
Of course, the broad category of crypto-art includes physical artworks where the subject matter has to do with cryptocurrency, such as a tangible painting on canvas featuring a Bitcoin logo. In fact, such artworks are probably the first types of modern crypto-art. Yet this article has more to do with a newer phase of crypto-art: specifically digital art that is powered by blockchain technology.
Squiggly Rare Silly Chain by Joe Chiappetta
Squiggly Rare Silly Chain by Joe Chiappetta is rare digital art available on the MakersPlace marketplace.
Indeed, cryptocurrency and the mobile web are opening up the art world in unforeseen ways. Three new categories for an artist are now available... where previously there was nothing in terms of opportunity. This crypto-art article for beginners is focused solely on existing opportunities rather than resources that will soon be available. To be even more specific, in this primer I’m talking about current ways for digital artists to increase their exposure and earn more income from their digital artwork through new developments in cryptocurrency. Opportunities covered here include the following:
  1. Rare Digital Art making
  2. Rare Digital Art collecting
  3. Crypto Social Networks
There are actually more than 3 categories of opportunity now available, but the opportunities that I chose to highlight in this crypto-art article are in their infancy yet have large growth potential, plus they are widely available now to every artist with high-speed internet and a computer.
Crypto Bridge of Wisdom by Joe Chiappetta, available as rare digital art on SuperRare
Crypto Bridge of Wisdom by Joe Chiappetta, available as rare digital art on SuperRare
DISCLAIMER
While I absolutely believe that this is a time of incredible and unprecedented opportunity for artists because of cryptocurrency developments, I must also add a disclaimer. Cryptocurrency is fairly new technology, somewhat unregulated, yet subject to certain tax laws and often volatile in its US Dollar equivalent highs and lows. In other words, if you do get into this field and start earning a lot, definitely consult a tax professional and know that there’s a lot of price fluctuation in the cryptocurrency market. Moreover, if you’re a risk taker, slightly tech savvy, willing to learn the tax implications, and not faint of heart, pay close attention to developments in this space, and perhaps even test the waters.

RARE DIGITAL ART or CRYPTO-COLLECTIBLES

The first and second opportunity for artists that has become new through cryptocurrency would be in the category of rare digital art: making it as well as collecting it. This category is also known as crypto-collectibles, or even digital collectibles. I personally prefer the term rare digital art, but this field is still so new, that no one really knows which term will stand out above the rest.
Payment Playground by Joe Chiappetta
Payment Playground is a blockchain card by Joe Chiappetta available on Book of Orbs in the CrystalsCraft Collection
The rare digital art industry is comprised of limited edition digital artworks that are each attached to a unique cryptographic token--also known as a cryptocurrency. A record of who owns this token and its attached art is readily available on a specific blockchain. Cryptocurrency runs on a "chain" of typically unalterable data, grouped in sequential "blocks." That's where the term blockchain comes from.

Often for those first hearing about the concept of rare digital art, an important question comes up. "Why would anyone want to spend money to own digital art when anyone can just copy the artwork file for free from the Internet to their own computer?" The answer is just as simple. Indeed, some will simply copy the file from the Internet. Yet certain collectors want more. These collectors will want to own the digital art that was personally issued directly by the artist in verifiably limited quantities. Blockchain has made this possible, and collectors are already doing exactly that. Moreover, many of these collectors choose to show off their collections to the public. Again, blockchain has made ownership of digital goods a new reality.

As a quick reference, here is a bulleted list that answers this common question:

Why Own Rare Digital Art When I Can Copy It for Free?

  • Prestige of Ownership
  • Collectible
  • Tradable
  • Portable
  • Curation Statement
  • Pioneering
  • Patronage
  • Safe Crypto Use-Case
Another concept to keep in mind is that there are many different blockchains that have been created. In fact there are well over 2,000 separate blockchains, yet many of them will amount to nothing special. CoinMarketCap, a site that lists key metrics on most cryptocurrencies, currently shows that there are at least 2,070 different cryptocurrencies.

Gratefully we can just focus now on the main blockchains that are in the widest use today to release and sell art directly on the blockchain. Presently there are only a handful. The blockchains that are currently in very wide usage to issue rare digital art include the Bitcoin blockchain (through an add-on crypto-data layer called Counterparty), and the Ethereum blockchain.

Since blockchain data can't be easily altered, and the data is verifiable by anyone, digital scarcity is now a real option for any piece of digital artwork. This means that digital art can now be issued in limited editions and collected for its level of rarity on the blockchain! Such collectible art is packaged in at least two different forms: (1) rare digital game items and (2) independent rare digital artwork.
  1. Rare Digital Game Items: This refers to various unique digital game items that interact and function as game pieces within a larger gaming ecosystem. 
    Heavenly Shepherd blockchain card playable in Spells of Genesis game
    Heavenly Shepherd blockchain card playable in Spells of Genesis mobile game
    One fine
     example would be the Spells of Genesis blockchain cards that are playable in their online game and tradeable on the blockchain. Incidentally, EverdreamSoft, the Swiss company that makes this cool game and issues its blockchain cards, holds the distinct honor of being one of the earliest to ever issue rare digital art.
  2. Independent Rare Digital Artwork: This refers to stand-alone, limited edition digital art pieces, both as static images as well as animated artworks.
CrystalsCraft Collection on Book of Orbs marketplace contains many Joe Chiappetta blockchain cards
CrystalsCraft Collection (launched March 2018) on Book of Orbs marketplace contains many Joe Chiappetta blockchain cards.
I have sold an incredible amount of my comics in the rare digital art marketplace. Naturally, I look forward to issuing more of my art there, as well as other key places. Many markets already exist out there for rare digital art, additionally known as non-fungible tokens (but I sure hope that odd, techie name referring to the art's non-interchangeable and unique nature doesn't stick). 
Joe Chiappetta rare digital art store on the MakersPlace market
Joe Chiappetta rare digital art store on the MakersPlace market
Markets that I favor for issuing and also collecting rare digital art (because I personally use these particular markets) are many and varied, probably because I am pretty prolific. Therefore I like to diversify, having my art on a number of markets, based on where I think the art will sell the best. These crypto-collectible markets include:
Street sign art by Joe Chiappetta pointing the way to crypto-collectible marketplaces
Street sign illustration by Joe Chiappetta pointing the way to some of the many crypto-collectible marketplaces
There are many additional rare digital art markets, with new ones launching every quarter. I suppose no one person--other than a die-hard crypto-art researcher--could cover them all thoroughly. The markets that I use are working for me and have a nice track record of professional accomplishment. Of course, as time and opportunity permits, I am open to trying additional markets.
The Collectible Vitalik is a vector drawing of Ethereum founder Vitalik Buterin, by Joe Chiappetta on CryptoSketches
As a specific market for minimalist rare digital art, CryptoSketches deserves a bit more attention because of its groundbreaking nature. When I say minimalist, I mean line drawings that take about 40 strokes or under to complete. It is the only site I know of currently where anyone can instantly make a minimalist drawing directly into the CryptoSketches drawing app and that art becomes a piece of finished rare digital art on the Ethereum blockchain within the hour (or as soon as the transaction is cleared on the Ethereum network). This means your art is available for sale with no human approval necessary--and in the same hour that you created it.

Artists will need much more Ethereum than usual to issue their art in this particular platform. On other Ethereum platforms it currently only costs a few cents to issue rare digital art. But on CryptoSketches, the transaction fee to issue rare digital art is currently between $3 and $6. My guess is that this is probably because there is way more data in a CryptoSketches smart contract since each drawing's vector data is contained in the transaction, making it more expensive to run that transaction through the Ethereum network. I think of these expense, high or low, as if they were postage costs to send my work to a global market. That expense also weeds out spam artists who would otherwise flood the market with junk.
Another nice feature of CryptoSketches is that when you view finished pieces in the market, a replay of the drawing process is automatically generated. Currently, this might only be viewable to those who have the MetaMask browser installed. If you do have MetaMask, see the drawing replay example here of my ETHmobile art.
These unique features make CryptoSketches first-in-class for being the only app (so far) for direct draw-to-market issuance of rare digital art that also includes a video replay of the creative process. I am going to rephrase these features because it is a huge innovation for the entire art world. Think about it; where else can any artist quickly draw digital art and in that same action, directly and immediately issue that art onto the market for sale as a one-of-a-kind piece of rare digital art?

Since this is a vector based app, the built-in video-redraw features also gives CryptoSketches that added bonus of being able to review the exact creative process for each piece of art issued on its marketplace. This video replay turns the art into more than a static image owned by a unique collector on the blockchain. That collector is also buying the exact artistic process. In other words, what the collector also owns is not just the finished art, but also the code that replays the lines that made the art. How cool is that?

Cryptographics, mentioned earlier as another fine market for rare digital art, is also groundbreaking in so many ways. It is a generative art site, meaning that artists go there to add (or generate) unpredictable elements of randomness to their art. Additionally on Cryptographics, one artist's work can even be combined automatically with another artists work. This creates new hybrid artworks, where all contributing artists get a portion of the hybrid art sale for each crypto-collectible generated.
Blockchain Kingdom is rare digital art by Joe Chiappetta available on Cryptographics marketplace
Blockchain Kingdom is rare digital art by Joe Chiappetta available on Cryptographics marketplace
While being one of the newest sites that I issue rare digital art through, Cryptographics has instantly earned my respect as one of the most innovative and useful tools that a visual artist could utilize in this ever-changing digital age. In fact, I even wrote a more in-depth review of Cryptographics after using it extensively.
Asset pack created by Joe Chiappetta on Cryptographics allows others to create crypto-art with Joe's art
Asset pack created by Joe Chiappetta on Cryptographics allows others to create crypto-art with Chiappetta's art.


CRYPTO SOCIAL NETWORKS

An additional new opportunity for artists is in online crypto social networks. Once example of this is the site Steemit. Therein, creators can post their art, not merely for "likes" that don’t transfer into value, but "likes" that transfer into earning cryptocurrency that can (possibly) have a real world financial value: some only in fractions of a penny, yet others in higher dollar amounts.
Steemit screenshot of Joe Chiappetta posts
Steemit screenshot of Joe Chiappetta posts shows upvote earnings in USD.
However keep in mind that for most people, these crypto-social media earnings will not be enough to live on, and I would guess that some of these sites will not thrive since the market could get flooded or just plain fickle. Remember MySpace? There are only so many social media sites a person can be active on at any given time.
Most of these crypto social networks could also be called crypto social meritocracies. I use the term "meritocracy" because on these sites, the more you contribute, in terms of time into the community and value-added to the community, the more your presence there often earns you a reputation score that in turn, earns you more cryptocurrency. In other words, this is artistic social activity and earnings based largely on what you do, not on race, social class, gender, or past accomplishments. These meritocracies measure what you contribute now for the community, usually in the form of content creation as well as thoughtful curation of other people’s creative work.
Keep in mind that each crypto social network usually mints its own unique cryptocurrency. Some of these crypto coins are worth a decent amount if you accumulate enough of them over time. Yet others are worth almost nothing.

Summing up the category of Online Crypto Social Meritocracy, if you want to post your artwork on the web and earn some cryptocurrency while doing so, this is a definite way to do that. I am not saying that non-crypto-social media has no value. In fact I still use such sites for publicity, yet in a much reduced capacity because there is no financial compensation for contributing to these sites.

Therefore, as an entrepreneur, I have to look at what gives the most value for my time. Many artists already post their work only on non-crypto sites like Facebook, Instagram, and Twitter, yet get absolutely no monetary compensation in return for their consistent contributions to these sites. Been there. Done that. Might as well move to where some compensation exists and start getting paid in crypto for our time on the site. Then in the process, we may also find a new tribe of like-minded, creative-crypto people.

Crypto-Art Conclusion

With all of these new categories of opportunity for digital artists, there is a bit of a learning curve to know how to access the full benefits of these new systems--or even where to start first. Yet artists are learners, risk takers, and observant people themselves. In time those who want to be part of this new crypto-art movement will learn the ins and outs as lifelong learners.
I hope this introductory article on how artists are migrating their business onto the blockchain for increased growth has stirred your curiosity--to say the least. In all my years as an artist I have never seen so much rapid development and economic opportunity for the creative mind. There is no way to tell how rapidly these markets will grow. Neither is there any way to determine which of the opportunities discussed here will be the most beneficial. Therefore, over time, perhaps look into each category. Test the crypto-waters, so to speak. As for me, I will be looking forward to these and probably many more art innovations as crypto-markets mature and increase in adoption. Hopefully, I will see you around the crypto-art universe too!
Joe Chiappetta
http://SillyDaddy.net

Opportunities for Artists on the Blockchain - Interview

In the fall of 2018 I was interviewed by CoinStructive LAB Radio host Aaron Mangal. We discussed the creation of rare digital art on the Blockchain as well as the myriad of platforms out there for artists. I had a blast in this interview. In fact, we talked for a half hour before the interview, about an hour during the interview, and about 45 minutes after the interview. Clearly, it was an invigorating conversation. This week, that interview went live at CoinStructive:
This art-infused conversation was recorded last month and just aired this week. I really drive deep into Silly Daddy Comics, the zine and publishing scene, collectibles, and why Steemit and similar sites can be good as new platforms for creative people. To commemorate the occasion I drew my interviewer, Aaron, holding my own artistic renditions crypto-related mascots.
Have a listen to this podcast. You'll learn about what makes something rare, valuable or collectible, opportunities to transition into digital collectibles, and the story behind my own rare digital artwork. You'll also hear how cryptocurrency opens new opportunities for artists and collectors and learn about exciting new applications and platforms in the cryptocurrency art realm!

To read more about crypto-art and rare digital art, also see my article for beginners called Rise of Crypto-Art: 3 Opportunities for Artists.

Mighty Messianic Prophecy - Book Ordering Page

Christian Book cover and ordering page for Mighty Messianic Prophecy - Biblical Research of Predictions Proving that Jesus Is God - written by Joe Chiappetta
Tired of being baffled by the Bible?
Find Jesus in the Old Testament by reading this 172 page Bible study guide.
Discover how the story of Jesus has been thinly yet astonishingly veiled in the Old Testament and just waiting for you to gain a rich appreciation into the very nature of God.

USA: Order Book in Paperback or eBook from Amazon
UK Book ordering page

Mighty Messianic Prophecy:

Biblical Research of Predictions Proving that Jesus Is God

A book by Joe Chiappetta
In this book of biblical research designed to unlock the deeper truths of Christianity, discover how analysis of Scripture can propel your faith and understanding to new heights. This massive Christian study guide is a non-fiction, no-nonsense, non-stop examination of the predictions proving Jesus to be the definitive and only Lord for all people and all nations. The identity of the Messiah, Jesus Christ, is revealed through this deeper research into the hundreds of Bible verses which point directly to the coming of our Savior, who is the Son of God and God in the flesh.

If the prophecies from Moses to Malachi are often an unsolved mystery for you, this book uses plain language, clear biblical references, verifiable research results, and logical commentary to explain God's Word. Build your faith and knowledge as to how God has been calling out to mankind with specific truths regarding Jesus since the Garden of Eden. Starting with the very first prophecy, get your answers in Genesis and all the prophets as they point to Jesus with uncanny consistency. Chapters and topics covered in this non-boring book of biblical research include the following:
  • Lost in the Future or Anchored to the Ancient Book
  • Will the Real Scriptures Please Stand Up?
  • From Defective to Faithful Footing
  • Messianic Questions
  • Definitions of Biblical Terms
  • Short List of Messianic Prophecies Fulfilled
  • Why Is Messianic Prophecy So Valuable?
  • Prophecies about the Resurrection
  • The Very First Prophecy about Jesus
  • Hanging on a Tree
  • Supernatural Lineage
  • God Has a Son, and That's a Big Deal
  • The Son of God Is God the Father
  • Father and Son Questions: Answering the Skeptics
  • The Anointed One Is Set Above
  • Statements, Dreams, Visions, and Events
  • Amos on the Messiah
  • The Radical Relevance of the Old Testament
  • Zechariah Nails It
  • The Messiah is the Branch
  • Rebuilding and Reforming under Zerubbabel and Jesus
  • Men Symbolic of Things to Come
  • What about People Who Never Heard of Jesus?
  • The Fate of Non-Christians
  • The Global Importance of Jesus
  • Are You Still Doubting God?
  • Where Have All the Mighties Gone?
  • God Is Mighty
  • Jesus Is Mighty
  • Men and Women Can Be Mighty
  • Most People Vote Jesus Is God
Mighty Messianic Prophecy is loaded with new research and theological analysis of many Bible predictions never before discussed as messianic prophecies. Be inspired by a book designed to leave you rock-solid about who our Rock and Redeemer really is: Jesus the Christ. Award-winning author Joe Chiappetta holds up the scriptures with an evangelistic style that will have you bookmarking, memorizing, and sharing these faithful insights with your family, friends, and anyone else willing to explore the Gospel like never before.
172 pages. Also includes 40 illustrations.

Order Mighty Messianic Prophecy on Amazon

READ THE FIRST 3 CHAPTERS FREE ONLINE:

Chapter 1: Lost in the Future or Anchored to the Ancient Book

Do you know your maker? For too much of my life, I would sadly have to answer that question with a definitive "No" or "Not really," or even "Get out of my face!" Looking back, I must admit that my seeking of truth was quite pathetic. Fiction and fantasy were more to my liking back then. In fact, my fictions and fantasies were more real to me than the truth. I could tell you how Spiderman got his dangerous black costume (in Marvel's Secret Wars), yet have no clue how to remove the dark stains of my sin from the depths of my soul.

However all that changed in 1998 when I became a follower of Jesus. The dark stains have been washed away by the blood of Jesus in the waters of baptism. I am so grateful to be able to know God through living out a new life by his word. I know my maker now. My maker is the Messiah, and the Messiah, as we shall see from studying the Bible, is God.

Other peoples and nations can go on inventing all sorts of bizarre origins of species that may dazzle the masses for a time. Yet time is fleeting. And I choose to remain grounded in the truths of my maker, my Messiah. I hope that you will join me.

So many people from around the world that I run into here in Chicago are still like I use to be. They don't know their maker and are doing very little to get to know him, due to an ignorance or lack of faith. Recently, my wife and I ran into some graduate students from China who said that they had never prayed at all to anyone in their entire lifetime. Not only did they not know their maker, but they didn't even think they had a maker.

Thankfully, the Bible says in Romans 10:17 that "faith comes from hearing the message, and the message is heard through the word of Christ." So we studied the Bible with those students and got into their lives. Within a month's time, they became disciples of Jesus Christ. Therefore, there is true hope for us all.

So much about God's message to us comes alive on a deeper level when we gain a richer understanding about the Messiah. We will look at who the Messiah is, what the word "Messiah" means, how active the Messiah is throughout the scriptures, and how interconnected the Messiah and God really are.
While the rest of the world chases after entertainment, selfish ambition, and all sorts of idols, we will build our faith in our maker through the role of his anointed one. That is actually the literal translation of what Messiah means: anointed one. I am amazed at the amount of people--both in and out of the church--who don't know this. Yet the significance of knowing the anointed one is literally life-changing.

To illustrate the direction our society is heading in, imagine this family scene, perhaps from the not too distant future. A father and son are lounging around in their high-tech living room while the son opens up an old and dusty box. Brittle, acidic cardboard gives off the stale odor of mildew as it permeates out from the yellowing container. The father is surprised at what his son has discovered in this long-forgotten box.

Glancing up from his virtual reality goggles, the dad declares, "Wow that's a real authentic book! We should read it." The father is referring to the top book in the box which his son grabs in curiosity. The title of this giant vintage book evokes a sense of respect and awe: The Holy Bible.
The son, being only accustomed to multimedia eBooks, movies, virtual reality, and multiplayer online video games, has never seen an actual printed book. So, with sincerity, the boy asks "Where is the start button?"

This allegorical scene depicting the increasingly aloof attitude that our world has for the Bible has led me to a significant observation; more and more, I find that people, self included, can be easily captivated by the allure of anything new: Google Glasses, iPhones, iPads, iWatch, Wii, the list goes on. I don't have any of these devices but I can't deny a certain fascination with the development and progress of such toy-like technology and the new content that these formats pave the way for.
While the facade of spinning everything new as supremely better remains part of our societal value system, one ancient book continues to hold up content that, despite being quite old, "is perfect, reviving the soul," as stated in Psalm 19:7. That book, of course, is The Holy Bible.

As we enjoy a sense of newness in life which God allows us to have, and as we search for the next big thing, I am reminded that what really counts is for us to meditate on God's law, "day and night" (Psalm 1:2). Think deeply and repeatedly about what God calls us to be and to do. Most people might scoff at this kind of talk. I know this for sure, since I was such a person for three dark decades of my life.

Nevertheless, a few faithful believers, anchored to the past that was transformed by Jesus Christ on the cross, will find excitement in God's ability to "revive the soul." No one but God can do such a thing as to revive our inner life essence--our soul. Yet for God, that is his main line of work! Luke 19:10 explains that Jesus "came to seek and to save what was lost." Being a former lost soul, and completely undeserving of any sort of revival, I am so grateful that God still called me to him. I was a lost cause, drunk on the future glory of self and fellow man, without a clue as to which way was up. Yet I was revived, converted, and found--only by the grace (undeserved favor) of God.

In the future, which seems to be here today and full of tantalizing distractions, our population will become increasingly polarized about God. The multitudes continue to abandon him in favor of the many modern-day idols, while a select few will find an anchor for their soul in the promise of salvation through Jesus Christ, as highlighted in Hebrew 6:19, "We have this hope as an anchor for the soul, firm and secure...."

Therefore the following core question is left as a warning, and as a challenge; are you lost in the future or anchored to God's word? Accurately predicting the coming of Jesus Christ, the Bible may be an ancient book, but it is the only book that has stood the test of time. In the end, the Bible will also be the only book to remain.
If you need help finding the start button, messianic prophecy is an amazing place to begin.

Chapter 2: Will the Real Scriptures Please Stand Up?

Most of my life, the topics that I have researched and written about passionately often get started because I had become alarmed or surprised about a particular issue that had previously caught me off guard. Such is the case with this study of scriptures having to do with Jesus.

First of all, I became quite surprised when I looked up the meaning of the word "scripture" in Thayer's Greek Lexicon, which is a historical Bible dictionary that attempts to define words as they were used at the time of their writing. Like most people, I assumed that the word "scripture" had always and only meant what it has come to mean today: the holy writings from God. Yet I was completely wrong.

Most of the word's usage in ancient Greek literature is not dependent on any supernatural being authoring that which had been written. Used 51 times in the New Testament, the Greek word for "scripture" is "graphe," and it simply means "a writing," or "a thing written." From Sophocles, the ancient Greek playwright (496 BC) on down the line, the same Greek word, "graphe" has been used to mean "writing." It originally started out to mean any kind of writing: legal documents, historical accounts, letters, and of course, the recorded words of God.

This can best be seen by using the Perseus Digital Library at www.perseus.tufts.edu. This is an online database cataloging most of the surviving Greek works of antiquity. I have found it to be an amazing resource to research word origins from Greco-Roman times. As a project of Tufts University, their database is currently free to use.

Running the word "scripture" (translated from "graphe") through the Perseus Digital Library was quite an eye opener. As an example of the word graphe's everyday usage from 431 BC, see this line from The Peloponnesian War by Thucydides (book 1, chapter 129, verse 1). "This was all that was revealed in the writing, and Xerxes was pleased with the letter. He sent off Artabazus, son of Pharnaces, to the sea with orders to supersede Megabates, the previous governor in the satrapy of Daskylion, and to send over as quickly as possible to Pausanias at Byzantium a letter which he entrusted to him; to show him the royal signet, and to execute any commission which he might receive from Pausanias on the king's matters, with all care and fidelity."

The word translated as "writing" in the first sentence is "graphe" in Greek. Of course, "graphe" is the same word also translated into English as "scripture." Yet clearly, the context is merely political correspondence through letters, not godly communication. So what is going on here? What is scripture?

I began to wonder what many people might start to wonder; when did the word "scripture," which originally just referred to "writing" come to mean "writing from God?" After long hours looking through ancient Greek books, letters and laws, it became clear that the works of ancient Greeks like Sophocles and Plato held no clues to some sort of transitional meaning for when the word known now as "scripture" gradually changed into exclusively meaning "the writings from God."

Therefore, I came to a simple conclusion. There is little transitional use of the word "graphe" because writings are writings. Nevertheless, the New Testament writers, inspired by God, were basically so excited about God's word that all other writings were typically insignificant to even mention.
I liken this to a few decades ago when I was poor and could only afford to make a sandwich composed of bread with nothing but potato chips in the middle. Now fast forward to the present day where my wife makes delicious veggie burgers from scratch that could easily sell for top dollar in any restaurant. Putting down the sorely lacking sandwich of chips today, I would scoff and say "That's no sandwich. This is the sandwich!" as I held up my wife's homemade veggie burger.

How does that relate to the word now known as "scripture?" It's as if "graphe," when used to refer to writings from God, had been commandeered for the new plan that God was unfolding. All other writings are simply not in the same league as the prophetic blossoming of God's written rescue plan.
Romans 4:3 portrays the confidence which was put into God's own words. "What does the Scripture say? 'Abraham believed God, and it was credited to him as righteousness.'" This could equally be translated as such; "What does the writing say?" The New Testament writers don't have to specify which writing they were referring to. They were writing to believers who knew the only writing that really mattered was God's writing.

This is the case every time the word "graphe" is used in the New Testament. It always refers to God's inspired word even though the literal word by itself simply means "writing." See 2 Timothy 3:16. "All scripture is God-breathed and is useful..." Even though literally this sentence could be translated as "All writing is God-breathed," no one would accept that Paul is referring to all writings from any writer. Rather, the implication is that every prophetic statement delivered from God to man is from the very mouth of God. The context makes all the difference. For a special purpose, God set aside (made holy) the writings that told his message. This is confirmed in 2 Timothy 3:15, where the context is "the holy scriptures," which Timothy had been taught from infancy. In other words, the writing in the Bible is set aside for a special purpose. Indeed, no other book is "living and active," (Hebrews 4:12) except for the Bible. That's beyond special--that's the amazing authorship of God.

In similar form, consider what Timothy was told by Paul in 2 Timothy 4:2. "Preach the Word…." No one asks "Which word?" It is already understood that "the word," translated from "logos" in Greek, refers to a collection of things which are put together in thought, gathered together in the mind, and are expressed in words. That's Thayer's Greek Lexicon definition of "logos." Words spoken by whom, you might ask? Spoken by Christ, of course, not that Christ is part of the original ancient Greek definition of "logos" but everyone knows from reading the rest of Paul's letter that the context is Christ. Therefore Paul is commanding Timothy to preach the collected sayings and thoughts of Jesus. That, of course, must bring us to the Bible--the written word of God.

God's word (logos) is so important, that God even commandeers the meaning of logos and turns it into a proper name for the Messiah in Revelation 19:13, "He is dressed in a robe dipped in blood, and his name is the Word of God." This, of course, refers to Jesus, who is also named "King of Kings and Lord of Lords," a few verses later (Revelation 19:16) with writing "on his robe and on his thigh."

When God talks about his word, and his writing, all other writing pales by comparison. After all, God, through his prophets and apostles, has revealed with the completion of the Bible, his complete plan for our lives. It is centered on his coming in the flesh as the anointed one (the Messiah) who loves us, died for us, and rose from the dead so that we too might live a new life in Christ (Christ is Greek for Messiah, which means "anointed one" in Hebrew).

In the case of the word "scripture," by the time the Bible got translated into English, the translators created a new English word for this phenomenon of God bringing holy writings to his people. The word origin of "scripture" according to Oxford Dictionaries supports this view: "Middle English: from Latin scriptura 'writings', from script- 'written', from the verb scribere."

The best Bible verse to demonstrate how the word "scripture" originally just meant "writings" is in Matthew 26:56. "'But this has all taken place that the writings of the prophets might be fulfilled.' Then all the disciples deserted him and fled." The word that English translators portray here as "writings" is "graphe." The reason they translate it as "writings" and not "scriptures" is because the English speaking world already understands that scriptures are writings from prophets.

Therefore the phrase in English would be redundant to say "the scriptures of the prophets." So in this case, the translators use the more historical translation of "graphe" by calling the writings what they literally are: writings.

As we focus on the scriptures, the writings from God through the prophets, we will pay attention to the scriptures that show us who God is, and what we need to do about it. While not the most trending topic of today's distracted world, studying messianic prophecies will get you exactly what you need to know: who God is, and what you need to do about it. Messianic prophecies are promises from the Bible. Promises in the Old Testament turn into facts about the Messiah in the New Testament--facts that define the very nature of God, and facts that should change your life, unless you're too tired to stand up for what is right in this dark world.

In Acts 2, the Israelites were remarkably attentive to the details of the Apostle Peter's message at the Feast of Pentecost during 33 AD. But why? It involved more than the miraculous tongues of fire that God had delivered to get the people's attention. The first part of Peter's sermon was a sobering truth about the death of the Messiah. Who killed the great king we've been waiting for all our lives? You did. Statements like Peter's should move you to stand straight up in grief and urgency.

Acts 2:23 "This man was handed over to you by God's set purpose and foreknowledge; and you, with the help of wicked men, put him to death by nailing him to the cross."

That's a big deal. Imagine all your life hearing about a hero that has been promised to be sent to rescue you. But then you find out that this hero has been killed and what's even worse: you are responsible! That is what was going on in Acts 2. But Jesus isn't your average hero. He rose from the dead--just like he said he would all along!

Matthew 16:21 "From that time on Jesus began to explain to his disciples that he must go to Jerusalem and suffer many things at the hands of the elders, chief priests and teachers of the law, and that he must be killed and on the third day be raised to life."

What is so amazing is that this occurrence was not just predicted a few years before it happened. It was prophesied about hundreds, and even over a thousand years beforehand.

From Genesis to Revelation, these are the writings (scriptures) to be reckoned with. Accept no substitute--no boastful words of men. Only the Bible contains verifiable statements that all came true about our God in the flesh and our God in heaven. A careful study of the Bible reveals that they are one and the same. These are the scriptures--the only writings--that stand straight up in the name of truth. Examine them and do likewise: stand straight up in the name of Jesus--"the way and the truth and the life." (John 14:6)


Chapter 3: From Defective to Faithful Footing

It was a typical Men's Midweek Service in the church one Wednesday evening. Despite the cold Chicago winter, the brothers were fired up, the singing was powerful and the fellowship was all a buzz about our God. But as the Bible lesson started, something that was more than a footnote happened to me.

While moving to the other side of the room to get a better spot to listen to the sermon, a sudden stream of reddish dirt began to spray outward from below me. Obviously, one of the other brothers must have tracked in a giant clump of mud from outside and now I just stepped in it. Don't these guys have the decency to wipe their feet before they come in from the cold?

I came to this conclusion quickly and naturally. It couldn't possibly be me, since I wore clean winter boots from home. From my car to the building there was only white snow and salty pavement.
But then I took another step, which sprayed even more dirt across the floor. It began to look as if a football player had stomped his filthy cleats out along the ground. Yet this was unnervingly eerie: I was certain my boots were clean, so where on earth could this odd reddish dirt becoming from? A closer look revealed that the reddish material emanating from beneath me was unlike any mud a man could step in. Its appearance was finer than sand, yet mixed with pebble-sized uneven clumps of... who knows what. Suddenly people were starting to look at me funny. I quickly scampered toward a new spot but almost tripped over my own foot along the way.

Totally dumbfounded, I looked down at my right shoe to find that the entire sole of my extra thick winter boot had flopped out unevenly from the rest of the footwear. The bottom inch of this right boot had mysteriously ripped away from the rest of my foot, creating a wobbly mess that was spraying the fine red powder in odd directions across the floor.

Gratefully, there was a garbage can exactly where I had plopped down to listen to the sermon. Discreetly as possible, I threw the ripped sole away. Yet I could not escape the trail of red dirt that still emanated from the new bottom of my right boot. Every move I made resulted in more mess. So I tried not to move. After careful examination, it was clear that the new bottom of my boot had somehow lost all its flexibility and had transformed into a crusty deposit of dark red rubber powder.
Even with that understanding, I couldn't help but wonder; "What is going on here? Is God trying to tell me something? What is it? Is this some sort of warning message from the Lord?"
I wasn't sure. So, like a good Christian, I tried to focus on the lesson being preached--while moving as little as possible.

A baptism took place immediately after the lesson, so all the men walked across the room to gather around the water tub. As we went, I also wondered if anyone noticed that I was walking funny. Wearing an uneven right shoe one inch lower than the other shoe made me sort of hobble over to the baptism. And immediately after our new brother got out of the water, my left foot began to flop just like the other foot. I looked down, and sure enough, now both bottoms of my boots had mysteriously been ripped from the bottoms of my poor feet. Inevitably, this spawned a whole new crop of red rubber powder. Everywhere I stepped became a mist of red debris.

These strange happenings abruptly shortened me by an inch and fixed my hobbling problem. But later, while sweeping up my red trail of confusion, I again began to wonder; "What can a man possibly learn from losing both of his shoe soles in one night at church? Am I being prompted to take off my footwear because the place I am standing on is holy ground? Or was this some sort of coded prophecy? Should I repent before I lose the very footing from beneath me?"

After a score of wild interpretations, I finally came to my senses and figured it out. Repentance is always good. But God has no need for me to infuse extra meaning into defective shoes. Rather, he calls me--and you--to look for true meaning in prophecy that has an eternal impact. I am talking about messianic prophecies: real documented events in the life of Jesus. These happenings were directly alluded to or specifically predicted hundreds of years before they actually happened.
Before we go back in time again to explore more examples of these predictive events, we need to pose some questions, define some terms, and set a goal.

Messianic Questions

I have some questions for you about the Messiah. These are important questions to ask yourself now, and every day:

  • Who is the Messiah?
  • How important is the Messiah?
  • Are you excited about the Messiah now, or just at some long-gone point from your past?
  • Whose Messiah is he?
  • How will the Messiah impact the world?
  • How will the Messiah impact you?
  • Do you know the Messiah?


Prophecy Ponderings

I also have some questions about prophecy:

  • What is prophecy?
  • How important is prophecy?
  • How will prophecy impact the world?
  • How will prophecy impact you?
  • Are you fluent in prophecy?
  • Have you memorized any prophecy?

If you are not rock solid with your answers to these questions, this lesson will help you to mature in your understanding. Now perhaps you may be thinking, "Oh, yes, I pretty much know all that stuff. I've heard it all before."

Great, but shouldn't these truths still inspire you? Or is there an expiration date on the freshness of God's word to you? Surely not! Moreover, can you sit toe to toe with an unbeliever, or even a new Christian, and explain these prophetic concepts to them intelligently by using the scriptures? This lesson will give you tools to help yourself and others gain a deeper appreciation for God's consistent plan.

Definitions of Biblical Terms

Prophecy (noun). Source: Merriam-Webster Dictionary
1) An inspired utterance of a prophet
2) The function or vocation of a prophet; specifically the inspired declaration of the divine will and purpose
3) A prediction of something to come

Prophetic (adjective). Source: Merriam-Webster Dictionary
1. Of, relating to, or characteristic of a prophet or prophecy
2) Foretelling events: predictive
3) That which is revealed by God

Messiah (noun). Source: A Concise Dictionary of the Hebrew Bible by James Strong
Strong's Reference # 4899: mashiyach
"Anointed: usually a consecrated person (as in king, priest, or saint)"
Basically the word "Messiah" means anointed one, one rubbed with oil, as in a king anointed with oil. The Greek word for anointed is Christ. By association in scripture, the anointed one is the savior and redeemer. This, of course, is the role and title for Jesus of Nazareth.

Keep in mind that the Hebrew word for "Messiah" (mashiyach) is used in the Old Testament 39 times. In the New Testament, the word "Messiah" occurs 68 times. Additionally, the Greek word "Christ," which means "Messiah," occurs in the New Testament 469 times. That's a total of 576 times. Clearly if we want to understand Jesus, we must pay greater attention to Jesus' special title and the anointed activity going on in the Bible.

Now today, if I came over to you and poured oil on (anointed) you in this very moment, how would you take it? At the very least, you'd wonder why I was trying to mess up your hair, or ruin your favorite shirt. In fact, when I get olive oil on my neckties while eating pasta or a sandwich (which happens all too often), I sometimes have to throw those hopelessly stained articles of clothing away. But as Adam Clarke writes in his commentary (page 37) of The New Testament (1817) anointing was no accidental spill. "...In ancient times, prophets, kings, and priests were anointed with oil." This was a great honor from days bygone.

In Psalm 133:1-2, the precious nature of oil anointment is poetically portrayed in the anointing of Moses' older brother Aaron. "How good and pleasant it is when brothers live together in unity! It is like precious oil poured on the head, running down on the beard, running down on Aaron's beard, down upon the collar of his robes."

In the case of the first kings of Israel, the kings were anointed by the prophet Samuel as a sign that God was with them and chose them specifically to lead. See the anointing of King Saul in 1 Samuel 10:1 as well as the anointing of David in 1 Samuel 16.

It should not be surprising then that Jesus, the king of kings, also was anointed in Mark 14:3-9. "While he was in Bethany, reclining at the table in the home of a man known as Simon the Leper, a woman came with an alabaster jar of very expensive perfume, made of pure nard. She broke the jar and poured the perfume on his head. Some of those present were saying indignantly to one another, 'Why this waste of perfume? It could have been sold for more than a year's wages and the money given to the poor.' And they rebuked her harshly. 'Leave her alone, 'said Jesus. 'Why are you bothering her? She has done a beautiful thing to me. The poor you will always have with you, and you can help them any time you want. But you will not always have me. She did what she could. She poured perfume on my body beforehand to prepare for my burial. I tell you the truth, wherever the gospel is preached throughout the world, what she has done will also be told, in memory of her."

Women should take special note, as this can inspire women's ministries around the globe; it was a female who anointed Jesus. Look at how valuable Jesus' anointing was. The materials used to anoint Jesus were worth "more than a year's wages." Jesus calls this anointing "a beautiful thing." Jesus wanted people to remember this humble, yet expensive anointing forever, as evident from what he says at the end: "wherever the gospel is preached throughout the world, what she has done will also be told, in memory of her." That Jesus wanted people to remember this anointing shows how he felt about the importance of being the Messiah: everyone must know it "throughout the world."
On an only somewhat related side note, there are companies even today that sell spikenard mixed with olive oil as a perfume. While it is doubtful that this is what Jesus meant when he prophesied the continual memory of this anointing, it is remarkable to see the impact of this two-thousand year old anointing influence commerce even today.

Let's look at one more definition that needs to become part of our regular vocabulary.

Messianic (adjective). Source: Oxford Dictionary
1) Relating to the Messiah: the messianic role of Jesus
2) Inspired by hope or belief in a messiah: the messianic expectations of that time
3) Fervent or passionate: an admirable messianic zeal

It should be noted that the word "messianic" is not in the Bible. However it is still an important term to comprehend. In writing about Christianity, it has become a standard word used to describe things related to Jesus in his role as Messiah.

The purpose of these definitions and this lesson is so that you see a greater need to know the Messiah and are moved to faithful action by the prophecies about the Messiah.

In The New Evidence that Demands a Verdict, by Josh McDowell (1999), the author notes that the Old Testament "contains nearly three hundred references to the coming Messiah" (Chapter 8, page 164). Imagine 300 predictions about Jesus' life: all written before the fact and all coming true! That's what you get in the Bible--a lifetime of inspiration.

What follows is a short list of some of the key messianic prophecies that I have found very inspiring and faith-building. Keep in mind that below is not a comprehensive list. Yet just these few are prophecies that can quickly help you to build a great overview. It paints an undeniable picture about who the savior of the world is. This list of prophecies is so rich, that whole sermons and even books could be built around each passage. Some of the verses are covered in greater detail elsewhere in this book, but it's also good to have a quick reference list of powerful prophecies to bookmark. I do encourage you to study them out further on your own.

Short List of Messianic Prophecies Fulfilled

  • David's descendant will be God: Jeremiah 23:5-6 with Luke 3:23, 31
  • Born of a virgin: Isaiah 7:14 with Matthew 1:18, 24, 25
  • Born in Bethlehem: Micah 5:2 with Matthew 2:1
  • Given gifts of gold and frankincense: Isaiah 60:6 with Matthew 2:11
  • Out of Egypt comes God's son: Hosea 11:1 with Matthew 2:13-15
  • Ministry begins in Galilee: Isaiah 9:1 with Matthew 4:12-13, 17
  • Spoke in parables: Psalm 78:2 with Matthew 13:34-35
  • Entered Jerusalem on a donkey: Zechariah 9:9 with Matthew 21:4-7
  • Praised by infants: Psalm 8:2 with Matthew 21:16
  • Betrayed by a friend: Psalm 41:9 with Matthew 10:4 and Matthew 26:49-50
  • Sold for 30 silver pieces: Zechariah 11:12 with Matthew 26:15
  • Wounded and bruised: Isaiah 53:5 with Matthew 27:26
  • Bones not broken: Psalm 34:20 with John 19:32-33
  • Pierced (crucified): Isaiah 53:5, Zechariah 12:10, Zechariah 13:6 and Psalm 22:16 with Matthew 27:35 See also Ezra 9:8. In the NIV the term translated as "firm place" is literally a "peg" or "nail."
  • Died with thieves: Isaiah 53:12 with Matthew 27:38
  • Buried with the rich: Isaiah 53:9 with Matthew 27:57-60
  • Resurrection: Psalm 16:10 and Amos 9:11 with Acts 2:31
  • Raised on the 3rd day: Hosea 6:2 with 1 Corinthians 15:4

After going over these verses in detail, any person in their right mind would have to conclude that Jesus--and only Jesus--fulfills every one of these prophecies to the letter. That's inspiring! Beyond the inspiration, ask yourself how such a list of messianic prophecies might be beneficial to you on a daily basis.

Why Is Messianic Prophecy So Valuable?

1) The overwhelming amount of true predictions about Jesus confirms the accuracy of the Bible and thus increases your faith in God's word.
2) You understand Jesus, your creator and God, thus strengthening your relationship with him.
3) You will read your Bible more, or on a deeper level.
4) You can see the patience and larger plan of God over the centuries.
5) You can help others overcome their doubts about the accuracy of the Bible.

Lists of messianic prophecies always inspire me about the power of God and the perfection of his word. When the church started in Acts 2, one of the characteristics of each member was that "Everyone was filled with awe..." (Acts 2:43). The actual Greek word translated as "awe" here is "phobos," which means "fear, dread, terror, reverence, and respect." One of the reasons that these disciples were filled with such a powerful emotion is because the scriptures about the Messiah--God in the flesh--had finally come alive to them as fulfilled prophecies and it rocked their world.

Do you have that same sense of awe about God's word today? In order to grow more in awe of God, my challenge to you is twofold:
1. Add to this list of prophecies as you discover more in God's word.
2. Teach messianic prophecy to others.

In other words, know the Messiah, and make the Messiah known.
It takes patience and faith to step back, as God has, to see the Messiah's comprehensive rescue plan: that's the big picture of salvation. The scriptures spell this out so prophetically. Along the way, there will be many unforeseen things that may make us trip and stumble in our own boots. I can say this from the bottom of my "sole."

All kidding aside, persevere in God's word and stand on the trustworthy and true prophecies of our Messiah Jesus. Then your footing, like mine, may not always be pretty, but you will be anchored securely on God for an eternity, through a resurrected life.

To read entire book, order from Amazon:
Mighty Messianic Prophecy: Biblical Research of Predictions Proving that Jesus Is God